Much Ado About Nothing by William Shakespeare written in 1598 and 1599 when Shakespeare is approaching half of his career. The play, featured in First Folio, was released in 1623.
By “noting” (meaning gossip, eavesdropping), Benedick and Beatrice were tricked into showing their love to each other, and Claudio was tricked into leading her to reject the Hero on the stage based on her mistaken belief that she was That is disloyal. In the end, Benedick and Beatrice joined in to make things good, and the others joined the dance to celebrate the couple’s marriage.
The play was written around 1598 – 1599 and first printed in 1600.
The story of a pure, faithful woman who was falsely accused, and then a disaster struck her on the head, the crushing predestination quite common in European literature during the Renaissance. It appeared in the angry Angolan work of the Italian writer Ariox from the beginning of the sixteenth century, which was later regained by Bôlôl and the Italian writer in another form in the short story Timbres and Pheixia in 1554.
This topic was enjoyed by the British public at the time, proof that from 1565 to 1591 Ariôtto’s story was translated at least four times and made a play for Queen Ellabet in 1582 (text). is no longer available and it is unclear who drafted it). The famous English poet of the Renaissance, Etmon Xpenx, also rewrote this story in Queen Elves in 1590.
It is not known where Sephxpia came from directly, but in detail, his play is closest to the short story of Bdlô, which the British playwright read in Italian verb or in French translation. Belphorext (1582).
What is certain is that, as in many other cases, Sippia molded the materials at hand, turning gloomy stories from Italy into a playful comedy, full of optimism. We know that, in his writing, Sephaniap also returned to this topic in the famous opera Oten. But the automaker belongs to the tragedy genre, that is, the period of great breakdowns in the artist’s soul when confronted with fierce, unsolvable conflicts of social reality. In the years of writing There’s nothing to be busy about, the Singaporean artist is taking a different, fresher view of life.