Tennessee Williams’s – A Streetcar Named Desire PDF
A Streetcar Named Desire, a play by Tennessee Williams written in 1947, has been a huge commercial and artistic success. The play was performed 855 times between 1947 and 1949 and won the prestigious Pulitzer Prize author. The film version of the play premiered in 1951 starring Vivien Leigh, Marlon Brando, Kim Hunter and Karl Malden directed by Elia Kazan. This is Marlon Brando’s first film, although he and the cast appeared on the Broadway version, except Vivien Leigh. The overall scene of the film opens with the train and a poor working area, the smoke from the train, the loud whistle and saxophone reminiscent of the 1920s Jazz Age, combined with black and white tones. painted a very gloomy overall picture. Balance (Vivien Leigh) – a woman fleeing past losses, leaving her present life to find the home of her sister Stella (Kim Hunter), where a conflict arises between Balance and his poor, ragged brother-in-law Stanley (Marlon Brando) lead to a family tragedy that no one expected.
Although there have been many changes compared to the play of Tennessee Williams, the film has successfully transformed a play into a film. The highlight that made the audience unforgettable when watching the movie is the image of wild Stanley, screaming in vain: “Hey Stellaaa !!!” when looking towards the balcony towards his wife. The psychological transformation of the film’s end character expressed by Vivien Leigh makes it impossible for viewers to stop admiring the talents of one of the most talented female stars of Hollywood’s golden generation, saying: “Whoever you are, I have always depended on the kindness of strangers ”(Regardless of who you are,
After its release, the film received a lot of praise, especially the acting of Marlon Brando and Vivien Leigh. The New York Times wrote: “Internal wounds are rarely shown so emotionally and clearly on screen.” With the role of Stanley, Marlon Brando has elevated the acting level to a new level – Method Acting, this acting style has become the “specialty” of Marlon, such as the role of Terry Malloy in On The Waterfront or Don Corleone from The Godfather. And there are many other actors who are strongly influenced by Marlon’s acting style. With A Streetcar Named Desire, though still influenced by the breath of the stage, Marlon Brando has brought a new breeze, creating an emotional difference throughout the film.